Yes, the 2012 Cannes Film Festival is history, but the pictures live on and on. Last week, we turned the spotlight on Freida Pinto’s run of fabulous makeup looks at the prestigious film gathering, as well as the bright lip trend. This week, as promised, we’ll show you some of the coolest/hottest smoky eyes from Cannes. They really ran the gamut from the classic heavy black-and-winged look to much more light-handed metallic looks that are easily adapted to real life.
First we have the Bollywood actress often labeled “the most beautiful woman in the world,” (we can get behind that assessment!), Aishwarya Rai. The former Miss World is at the center of a global controversy that started when her country’s press took her to task for not losing weight quickly enough after the birth of her child, one even going so far as to post a video of pre- and post-pregnancy photos complete with elephants trumpeting. We found this astounding; as horribly judgmental, unsourced, and even dishonest as the U.S. gossip press can be, none of them will go directly on record to state so baldly that a celebrity is a poor representative of America due to her weight and that she has a DUTY to slim down quickly. Then again, the articles essentially say Aishwarya should follow the lead of Victoria Beckham and Angelina Jolie, who lost their baby weight in record time after the birth of their children – as if this is a realistic goal for ANYONE, ANYWHERE.
And what does that have to do with makeup?
Not much; look at her! She is gorgeous. In fact, she is at Cannes this year as L’Oreal’s global representative – that’s right, she’s at Cannes not as an actress with a film in the competition, but as the face of a cosmetics company. If L’Oreal thinks she represents beauty, perhaps the media ought to just shut it. Her golden smoky eye is the perfect counterpoint to her traditional Indian evening wear, exotic coloring, unusual blue/gray eyes, and raven hair and brows. A perfect look for nighttime, you could wear the same eye makeup for day with just a bit less shimmer. Start with ColorOn’s Ibiza from the Eye Envy Smoky Variety Kit, a smoky nude comprised of gradient beige and brown. Then brush our Smooth Monarch Gold Shimmer loose mineral pigment, a bright yellow-gold that looks like 14-karat dust, on the inner half of the upper eyelids. Add plenty of real black kohl on the upper and lower inner rims of the eyes, and loads of black mascara. If your brows are not as dense and groomed as Aishwarya’s, use our BrowPro instant eyebrow applicators in the proper shade and thickness to color, define, shape, and hold the eyebrows in place.
When eyes are the focal point of your look, the rules must be followed: strong eyes, muted lips; strong lips, muted eyes. So, just a swirl of matte bronzer for contour, and a peachy/nude gloss, and this look is done.
Next, we have two different looks from Diane Kruger, who was a member of Feature Film Jury this year and truly the fashion star of the entire event, as well as the official “face” of the myriad events that took place during the 12 days of Cannes. She sported two metallic smoky eye looks that are perfect for summer: one a palette of silver, the other bronzed.
At the amFAR Cinema Against AIDS event (the same event that Aishwarya Rai attended with her golden smoky eyes), Diane complemented her Chanel Resort 2013 Versailles LWD with its cap-sleeves, fit-and-flare cut, and lilac and white embroidered embellishments (very Mad Men-era!) and early Sixities-era finger-waved hairstyle with a modern-day eye look comprised of delicate silvers tending to an almost silvery blue at its deepest shade – a perfect match to Diane’s own eye color. To get a similar look, start with ColorOn’s Platinum & Pearls from the Metallics Variety Kit, the cool shine of silvery platinum and shimmering white giving this simple combination an edgy depth. Then layer on Smooth Patina Silver Shimmer loose mineral pigment on the outer third of the eyelid up onto the browbone, and below the lower lashes for a smokier, deeper silver. Her makeup artist added black kohl to the inner rims of the upper and lower eyelids, and after curling her lashes, added a single coat of black mascara top and bottom, and then a second coat to the outer third of the upper lashes. Diane’s naturally full brows were groomed and filled a bit; she’d be a BrowPro Full Light. Finish the look with the barest hint of a delicate pink flush on the cheeks, and a matching sheer pink gloss.
For the Nights in Monaco Party Diane chose a less formal makeup look, with a slightly tousled updo and a warm palette to offset her avante garde Prabal Gurung frock with its white feathered skirt, studded white leather belt, and sheer white mesh bodice with strategically placed embroidered golden satin roses and sequined vines.
Her eye makeup picks up the metallic embellishments the bodice and her wild bronze platforms. Star with ColorOn’s Bronze Goddess from the Metallics Variety Kit, a combination of shimmery gold and glimmering deep brown that combine to create a rich bronzed look. Confine your application to the upper kid and brow bone, blending to wing the shadows up and out toward the temple and almost meet the tail of the brow. Lightly line the inner rims of the upper and lower lid with a smoky brown kohl, and add black mascara to curled lashes, once again adding a second coat to the outer third of the upper lashes. Diane’s makeup artists went for a slightly more flushed cheek and lip, but stayed in the same sheer pink/nude family – just a bit more intense, but still sheer.
Model Natasha Poly seemed to be everywhere at Cannes; she was in a shocking number of pictures for someone who is primarily a runway mannequin and not the face of a cosmetics brand or clothing line. But she does have the “Angelina Leg” pose down; in fact, she pretty much out-Angelina’d Ms. Jolie in every shot we saw. On top of which, Natasha has a fondness for plunging necklines, sheer dresses with strategically placed scatterings of sequins, massive cutouts that seem to be held together through sheer force of will, or a combination of all of the above. What’s always amusing when you have so many images from an event like this is how often you discover that some personalities have a signature pose. And that’s what they do; they can drop into this pose regardless of the angle, the outfit, or the event. Natasha has this uncanny ability, and the image here of her actually smiling and showing her teeth is emphatically NOT her signature pose. Google her pictures from Cannes if you want to see what we mean; it’s the model equivalent of Paris Hilton’s hipshot, chin-down, hand-on-hip, slouchy pose that she could do no matter the time of day or state of inebriation.
That’s Natasha at the premiere of the film Holy Motors, a French film starring Denis Lavant, American actress Eva Mendes, and Australian singer Kylie Minogue. She pairs a very on-trend, casually messy side-braid (a fishtail, so it’s even trendier; however, we can’t do one, so who are we to cast any aspersions?) with a very on-trend smoky eye: the elongated, up-tilted shape with a touch of metallic green. You can get a similar look by using ColorOn’s Ikonik instant eye shadow, a shimmery mink-brown prism with a pop of lustrous glittering green, which is only available in our Custom Kits. Angle the applicator just slightly so that you get the right sweep from the inner corner out and up. Use an eyeliner brush to take the extra creamy mineral shadow from the cover film and apply below the lower lash line (you can use the brown, the green, or a combination of the two). Line the inner rims of the upper and lower lids with black kohl and add black mascara. Groom your brows, and like Natasha, avoid any other shimmer on the face by adding only the barest hint of a matte peach blush and a clear peachy gloss.
At the premiere of the animated children’s film, Madagascar 3, the ladies arrived in the most revealing, non-G-rated outfits possible (see Salma Hayek, next). Broad daylight notwithstanding, Natsha’s floor-length, daring V-neck (really, v-waist to be technically accurate) green velvet Gucci gown with its thigh-high slit was paired gigantic emerald-and-diamond drop earrings (they certainly looked real) and even smokier eyes. Try ColorOn’s Heavy Metal instant eye shadow, a gorgeous prism of shimmering dark chocolate and twinkling onyx — rocking this look is NOT for the faint of heart. Again, this one is only available in our Custom Kits. Angle the applicator just slightly so that you get the right sweep from the inner corner out and up. Use a heavier brush this time to take the extra creamy mineral shadow from the cover film and apply below the lower lash line. Line the inner rims of the upper and lower lids with black kohl and add black mascara. Groom your brows, and like Natasha, go even lighter on the rest of the face with color; she didn’t even use pech with this look – she went with true nude blush and a nude satin lipstick so there wasn’t even a high-gloss shine on her lips. Her nakeup artist did, however, add some filler to her brows to offset such dark eye makeup and such severely slicked-back blonde tresses.
Finally, our last smoky look comes from Salma Hayek, whose marriage to Francois-Henri Pinault gives her, among other very nice things, access to a wardrobe anyone with even the mildest fashion aspirations would possibly kill (or at least main) to have. So, of course Salma wore Gucci every time she was photographed at Cannes (which was A LOT), and this black-and-silver metallic Gucci Premiere gown was the absolute crème de la crème. Perhaps only Salma could break the cardinal rule and not get called out for it – this is about the smokiest of smoky eyes, and she’s paired it a strong cheek color and a brick-red lip. Planets did not collide, there was no rift in the space/time continuum, but we can agree that if anyone else tried this, every beauty editor and blogger would have torn her a proverbial new one, no?
Feel free to contradict us, but be ready to cite exactly who you think could get away with it and why.
Want to try Salma’s eye makeup? Start with ColorOn’s Noche from the Eye Envy Smoky Variety Kit, blending the deep black shadows outward toward the temple, just past the tail of the brow. Add black kohl on the upper and lower inner rims, and tons of black mascara. Salma’s makeup artist used a matte bronzer that had reddish undertones, but applied it low on the cheekbone, more like a contour. Her look was finished with a glossy warm brick-red lip that was sheer enough to still contrast with the opacity of the smoky eye.
And there you have it – c’est magnifique! The MTV Movie Awards are starting momentarily, and the CFDA Fashion Awards are tomorrow night, so we’ll have plenty of material for the next blog. Have a wonderful week…